{"id":454,"date":"2021-01-20T14:32:01","date_gmt":"2021-01-20T19:32:01","guid":{"rendered":"https:\/\/www.villaescusadeharo.com\/kyezitri\/?p=454"},"modified":"2021-01-21T02:23:08","modified_gmt":"2021-01-21T07:23:08","slug":"el-talento-atemporal","status":"publish","type":"post","link":"https:\/\/www.villaescusadeharo.com\/kyezitri\/?p=454","title":{"rendered":"El talento atemporal"},"content":{"rendered":"

\"\"<\/a>
Fotograma de Tiempos Modernos<\/strong> (1936).<\/p>\n

Smile and maybe tomorrow
\nyou\u2019ll see the sun come shining through
\nfor you.<\/em>
\n[Smile<\/em>, Charles Chaplin]<\/strong><\/p>\n

En otra vida, aquella universitaria, fui cin\u00e9filo empedernido, de esos de rapi\u00f1ar en bibliotecas pelis menores de Truffaut<\/strong> o de Fellini<\/strong> y engullirlas en versi\u00f3n original, de amontonar entradas de cine e, incluso, de coordinar ciclos de cine y tertulia en la residencia universitaria y en la facultad de letras que asaltaba, inform\u00e1tico intruso. Con La naranja mec\u00e1nica<\/strong> petamos el aula magna de letras, recuerdo, en un ciclo de cine violento de los setenta. Por entonces, y como mandan los c\u00e1nones, hab\u00eda que elegir entre Charlie Chaplin<\/strong> y Buster Keaton<\/strong> o Harold Lloyd<\/strong>. Como me parec\u00eda tan evidente que las obras maestras de Chaplin como La quimera del oro<\/em>, Luces de la ciudad<\/em> o El gran dictador<\/em> eran absolutamente insuperables, entonces vend\u00eda que mi preferido era Keaton aunque solo hubiese visto El maquinista de la general<\/em> y El boxeador<\/em> (ambas, por cierto, del mismo a\u00f1o, 1926). Cosas de la juventud, aunque quince a\u00f1os despu\u00e9s hayamos empeorado.<\/p>\n

Anoche programaron Tiempos modernos<\/em> en La 2<\/strong>. La cr\u00edtica siempre dijo que era una gran obra maestra de Charlot<\/strong> por la combinaci\u00f3n genial de escenas c\u00f3micas memorables que jalonan una trama creativa y absorbente, por esa cr\u00edtica a la modernidad de la industrializaci\u00f3n simbolizada en la cadena de montaje, por la l\u00facida reflexi\u00f3n sociol\u00f3gica de la pobreza piramidal y la alienaci\u00f3n del hombre a trav\u00e9s del trabajo. Conceptos as\u00ed, una invitaci\u00f3n introspectiva embebida en cine mudo c\u00f3mico.<\/p>\n

Anoche, despu\u00e9s de cenarte una tortilla de dos huevos con jam\u00f3n y todo el pan del mundo mojado en aceite y pera, te dije que te sentases en el sof\u00e1 conmigo, con escepticismo, a sabiendas de que no has mirado la tele dos minutos seguidos jam\u00e1s en tus tres a\u00f1os de vida. En la pantalla, Charlot apretaba tuercas a dos manos sin parar, la cadena de montaje se lo tragaba y nadaba entre los engranajes de la maquinaria industrial. Te tronchabas de risa como nunca habr\u00eda imaginado. A Charlot, conejillo de indias de una m\u00e1quina port\u00e1til de dispensar comida, la susodicha le tiraba la sopa encima y le estampaba un pastel en la cara. No parabas de re\u00edr a carcajada limpia, casi nervioso y excitado, junto a m\u00ed. Charlot patinaba en su turno de vigilante nocturno en un centro comercial y, mientras, t\u00fa repet\u00edas \u00abpap\u00e1, ese t\u00edo est\u00e1 muy loco, m\u00e1s loco que la maraca de M\u00e1chi<\/strong><\/em>\u00ab. Estuviste casi una hora absorto, entre estruendosas risotadas, en un mundo en blanco y negro de hace m\u00e1s de ochenta a\u00f1os. Hoy me has vuelto a pedir que te ponga en la tele \u00abla peli del t\u00edo loco<\/em>\u00ab.<\/p>\n

El respeto y cari\u00f1o que siempre me ha merecido Charles Chaplin promocion\u00f3 anoche a absoluta reverencia e infinita gratitud.<\/p>\n","protected":false},"excerpt":{"rendered":"

Fotograma de Tiempos Modernos (1936). Smile and maybe tomorrow you\u2019ll see the sun come shining through for you. [Smile, Charles Chaplin] En otra vida, aquella universitaria, fui cin\u00e9filo empedernido, de esos de rapi\u00f1ar en bibliotecas pelis menores de Truffaut o de Fellini y engullirlas en versi\u00f3n original, de amontonar entradas de cine e, incluso, de … Continuar leyendo \u00abEl talento atemporal\u00bb<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3,21,5],"tags":[],"class_list":["post-454","post","type-post","status-publish","format-standard","hentry","category-cine","category-crianza","category-personal"],"yoast_head":"\nEl talento atemporal - kyezitri.es<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.villaescusadeharo.com\/kyezitri\/?p=454\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El talento atemporal - kyezitri.es\" \/>\n<meta property=\"og:description\" content=\"Fotograma de Tiempos Modernos (1936). Smile and maybe tomorrow you\u2019ll see the sun come shining through for you. 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